Dani’s thoughts

DaniSFace1 Soft pastels on Mi-Teintes board 14″ x 16″ (36cm x 40cm)
Preliminary study for a portrait of Dani Samuels to exhibit at SOPAC.

It’s been a while since I did the latest of my Paintings for Poles work. So eager to explore in my newly found medium of soft pastels I asked Dani if I could do a portrait of her. More willing, pleasing and encouraging models I’ve rarely seen.

This is the 5th painting this year and the 5th in soft pastels. Yet, it is the first that I set myself to do careful detail. I consider it a 70% achievement of realism. Aims towards more improvement include hair, eyes and skin at magnification level but I’m very happy with my steps so far.

Dani’s Bio data:
I noticed that every time I read about Australian pole vaulters my fav event, Dani was always there. Wether it was Steve Hooker or Alana Boyd, Dani was there in the news with them. One reason is because she’s so nice to be a friend of but also because she is so good at her speciality: Discus throw.

Dani Samuels (born 26 May 1988) is an Australian discus thrower who in 2009 became the youngest ever female world champion in the event.
Samuels is one of only nine athletes (along with Valerie AdamsUsain BoltVeronica Campbell-BrownJacques FreitagYelena IsinbayevaKirani JamesJana Pittman, and David Storl) to win world championships at the youthjunior, and senior level of an athletic event. Her personal best throws are 65.84 m for the discus and 16.30 metres in the shot put.

By Phillip

Currans Hill artist Phil Carrero started as an impressionable 16 year old drawing charcoal portraits through the streets of Buenos Aires. He worked his way up from drawing to painting and begun to sell his works around that time. Coming to Australia in 1973 , at the age of 23, Mr Carrero continued his studies in Art and completed an apprenticeship for four months to get himself better acquainted with portraiture painting. Meanwhile, for almost ten years produced and sold many ship portraits and marine paintings. -After that I begun getting around 12 commissions a year for just portraits. That's the point when he begun to make a living out of painting-, he said. He paints in the Traditional, Realistic style ... English and Italian schools, his portraits can resemble the Grand Manner style of the 19th and 20th centuries in England and later, America. (extracted from "Artist has brush with thieves", Macarthur Advertiser, January 2004)